When Jackie and I left the church
service last Sunday (a week ago), I thought I remembered the song that
the church pianist, Pat Brockett, was playing. I tried to recall the
song all week as I hummed the melody of this song that I remembered
from childhood. L.Z. Harmon, one of the fifteen Cherokee cousins, that
attended the same service, came into the store and asked me if I knew
the melody to the last song that the pianist was playing. It was then
that I remembered that was a song from long ago, "The Cherokee Indian
Maiden" It is a beautiful song that is still fitting in our worship
today.
Pat and James R. Johnson were playing the song as
James was tuning his mandolin to the church piano. It was a treat
within itself just to watch and hum along as James was tuning the
stringed instrument.
"The Cherokee Indian Maiden" song was an old song that
Granny Harmon used to sing when I visited her as a youngster.
During the Sunday worship service, it has become a
custom of Pastor Lyle Benson to call for a time when all in the church
introduce themselves and greet everyone in attendance. This portion of
the service is such a lively welcome; it allows everyone to get out of
their pews and give each other a great big welcome. It has become a
necessity in the morning worship.
The 1940 photo that I am using this week is of our one
and only Granny Rachel D. Harmon as she appeared in her last few
years. According to the old church records, Granny Harmon was one of
the early day members. She joined the church in 1884. The church will
celebrate 150 years in 2008. The church was established a little more
than twenty years before Granny joined. It was in a log house that was
used for one of the county’s three or four free schools that were in
operation before the Civil War.
The Cherokee Indian Maiden song was no doubt sung by
Granny and others as they walked across the open pastures and fields
on their way to church. Granny made her way to church this way many
time between 1884 and 1947.
One of the Indian tricks Granny (my great-grandmother)
taught me was how to tell if someone (friend or enemy) had walked up
to her house in her absence, by using a broom or a tree limb. She
would sweep her yard before she left. No grass was allowed to grow in
the yard. When she swept the yard, she eliminated any tracks that were
present, and upon her return she taught us how to closely examine the
tracks left in the sand to reveal the foot imprints to determine who
had been there while she was gone. The pathway of the tracks would
indicate whether someone was still in the house and if not the prints
would tell her where they went.
Many of the photos that I have in my collection were
printed and processed in the attic of Granny Harmon’s house. Tom West,
who married Opal Harmon, one of Uncle Will’s daughters, built a
darkroom in Granny’s attic around the turn of the 1900's.
One of my favorite times was eating breakfast, lunch
and supper at Granny’s house. She lost her husband, James Andrew
Harmon, when her two boys were just three or four years old. He died
of a spider bite in the corn crib, which was a log house built by him
to store the corn and homemade wine. Portions of the log crib house
still remain, but are very decayed.
Granny Harmon made Cherokee fry bread that would melt
in your mouth. She served it with fresh churned butter and her own
brand of buttermilk and sorghum molasses that she also made.
I recall one time when I was told about an incident
when Granny was walking with her long-billed bonnet pulled down over
her face with her walking stick. She was walking to town when some
unknown creature attempted to molest her. She whipped the "HELL" out
of the old boy with her walking stick and left him lying in the ditch.
When she returned from the store on her way back home, the old boy was
still in the ditch, moaning and groaning. She proceeded on with a
gracious walk singing her song all of the way home. She was only
approached one time. After news circulated about her defense methods,
she was left alone. She was our tribe’s "Christian Wonder Woman" and
she knew it.
Yes indeed, Cousin Billie at Galveston Island and the
other Cherokee cousins just don’t know what they are missing with this
group of church going family of cousins of the Cherokee family.
It is difficult to describe the beautiful harmony of
the Indian voices, especially when Pat and J.R. are leading the music,
one at the piano and the other with his well-tuned mandolin. Our own
Pat Brockett, the church pianist, is also the office manager of the
Aubrey Area Chamber of Commerce. She is doing a fantastic job in this
position as well. She has enlisted a record-breaking number of members
into this 20-year-old organization.
Pat reminded me of a Halloween party that is scheduled
at the TiPi this Saturday night in her neighborhood. The TiPi was
built her dad, James Arthur Harmon some few years ago. The Indian
heritage of Aubrey is one that goes back to Granny’s life. She was
proud of her Native American ancestry. She lived her entire life in
the Onega Settlement.